And that reveals Fantasia's biggest weakness, which is part of the inherent flaw of American Idol: it rewards contestants who put on a show of being a great singer instead of actually being a great singer. Of course, the show-biz trappings haven't been completely abandoned - Fantasia's showstopping rendition of Gershwin's 'Summertime' has been revived, and it's been given an overwrought treatment that's slicker and more mannered than either of her performances of it on the show. In their place are Missy Elliott, Jermaine Dupri, and Rodney Jerkins, hip-hop hitmakers who give a good indication that this album is striving to seem fresh and hip, something that no other American Idol album has even attempted. Gone is Matthew Wilder, who contributed to Kelly's debut gone are Neil Sedaka and Aldo Nova, who featured heavily on Clay's album. Free Yourself is looser and hipper than any previous AmIdol album. Under Davis' direction, Kelly Clarkson, Justin Guarini, Ruben Studdard, and Clay Aiken all made records tailored for a specific audience, which is the reason they all had great success (well, with one notable exception), so it should come as no surprise that Davis has steered Barrino straight to the streets to make an album that thrives on urban R&B inflections and style. Fantasia was the winner of the third American Idol competition in 2004, and while Clive Davis has shepherded all of the previous AmIdol winners and runner-ups, it's possible that Barrino had spent so little time in the music biz that she didn't grasp the depths of either Davis' legacy or his savvy, the latter of which was clearly on display on each AmIdol record. This indicates both Barrino's relative naïveté and the nature of Free Yourself itself. 'Love you Clive Davis, thanks for being so gangsta!' So says Fantasia Barrino - now simply billed as ' Fantasia' since divas are, by law, not allowed to have more than one name - in the liner notes for her 2004 debut album, Free Yourself.

Fantasia barrino free yourself 2004 m4a